Technique 02
The Backhand Volley
The body moves to the ball; the racket stays simple.
The backhand volley uses many of the same ideas as the forehand volley. We make a compact turn, load the inside leg, establish the racket position early, and then move toward the ball. The difference is how the arms organize and move through the shot.

How We Work On It
01
Ready position
Begin balanced and athletic, facing forward with the racket comfortably in front of the body.
From here, we're prepared to recognize the backhand and immediately begin the turn.

02
Turn and set
As soon as we recognize the backhand volley, we make a compact turn and shift our weight onto the left leg for a right-handed player. The right leg becomes light and free to move toward the ball.
At the same time, we set the upper body. The elbows move outward — almost as though we're making ourselves big — while the left hand supports the racket around the throat or bottom of the racket head.
The racket stays in front of us, with the racket face slightly open and the head above the hand.

03
Step to the ball
Just as with the forehand volley, we don't automatically step across the body. We step toward the actual location of the ball.
Because the weight has been loaded onto the left leg, the right leg is now free to move wherever the incoming ball requires.
04
Separate and move through
As we move toward the ball, the hands begin to separate in a smooth, even action.
The racket hand moves through the volley while the opposite hand moves away in the other direction. That separation helps the shoulders and arms remain organized and prevents the stroke from becoming a large swing.
The movement travels slightly inward rather than simply straight ahead.

05
Keep the structure
Through contact and into the end of the movement, the racket maintains essentially the same relationship to the arm that we established during preparation.
The elbow remains bent, the racket head stays above and slightly behind the hand, and the racket face remains slightly open. We're moving the structure through the ball rather than dramatically changing it during the stroke.
A short silent loop of a backhand volley at the net: a compact turn onto the left leg, a step toward the ball, the hands separating through contact, and the racket keeping the same relationship to the arm from preparation to finish.
Want to work through this on court?
Lessons are private, so a step takes as long as it takes — nobody moves on before the one underneath it holds up.